The Penetrator #40: Assassination Factor, by Lionel Derrick
January, 1981 Pinnacle Books
Well folks this volume of The Penetrator is something else entirely…this is, I’m fairly sure, the only volume of the series yet in which hero Mark “The Penetrator” Hardin doesn’t get in a single fight. And he doesn’t even get laid! Poor Chet Cunningham must’ve been supremely weary of writing the series at this point; I mean, even his previous half-assed contributions, like #30: Computer Kill or #36: Deadly Silence, actually featured a little action, not to mention the death of the main villains…even if the villains did Mark the favor of killing themselves. Not so here; for once again Assassination Factor comes off like the novelization of a bland TV movie.
In fact, Cunningham is so bored that he spends most of the novel writing about other characters. As far as I’m concerned, with these series novels the series protagonist should always be the primary character. But Cunningham here spends much more time with one-off characters, in particular a professional assassin named Butler (not to be confused with the other Butler) who is killing off famous people who use their platform to speak ill of the United States. (Boy would this guy have his work cut out for him today!) We see him in action at novel’s start, taking out by methodical (not to mention pages-consuming) means a variety of targets. He’s pretty diverse in that he hits anyone who bad-mouths the US, whether they be Liberal, Conservative, or even Independent, as demonstrated in his first kill, which really threw me for a loop. Check this out and see if a certain phrase jumps out at you:
“Make America Great Again” was a slogan originally used by Reagan in his 1980 campaign for president; Trump bought the rights to it in 2016 and obviously branded it more than Reagan ever did. But at the time Assassination Factor was published, this phrase would’ve resonated as Reagan’s, and initially I thought Cunningham was “taking the piss” (as the British say) out of series co-writer Mark Roberts, who as we all know was a pretty conservative guy. But as it turns out, Butler kills liberals as well as conservatives; as the novel progresses we see him take out a civil rights activist (where Cunningham doles out the dreaded n-word), a wealthy Iranian, and finally a Jane Fonda analogue, who presumably is the busty babe on George Bush’s cover…and yes, the “No nukes” stuff works into the plot. Anyone who denounces America on a public stage becomes Butler’s target.
But as mentioned Cunningham is bored with it all. For example, Mark Hardin is fishing when we meet him, and then he hears about this assassination early in the book. He heads back to the Stronghold and, playing a hunch, starts making a list of all the recent deaths of notables, and gradually comes to the conclusion that it’s the work of a hitman who is making the kills seem like freak accidents or whatever. And folks, Mark spends the first 76 pages investigating at the Stronghold! Literally sitting at a desk and looking at computer printouts and making lists! It all gave me bad flashbacks to when the similarly-“badass” hero spent nearly the entire novel pecking away at a computer keyboard in Stand Your Ground.
On the plus side, this is by far the most the Stronghold has ever featured in a Penetrator novel. While it isn’t much brought to life, it was interesting to see Mark Hardin there so long, as generally we get but a page or two at his “home base” before he heads off on his latest mission. Curiously though the Stronghold is explained to us again, how it’s built on an old Borax mine and how the Professor built it and all this other setup stuff that you think wouldn’t be necessary in the 40th volume of the series. But again, poor Chet Cunningham is bored with The Penetrator and he’s doing his damndest to fill up the pages and meet his word count. He’s even got Mark calling up various contacts – including even Dan Griggs, the Justice Dept dude who is supposed to be finding and arresting the Penetrator – to ask if they have any info on these mysterious murders.
Cunningham only proceeds to pile lameness on top of lameness. Intermittently in Assassination Factor we will encounter one Marshall Songer, a guy in his early 20s in Los Angeles who likes to go around…pretending to be the Penetrator. He’s got plastic blue arrowheads, a .45 he managed to acquire, and he blusters his way into shopping areas and whatnot to give people lessons on the danger of crime and etc. The cops nearly bust him at times and Marshall always gets away – there’s also a weird gimmick that he does magic tricks on the side – and Mark eventually finds out about it. We already know there are “Penetrator fan clubs” out there, and while Mark is okay with those, he’s concerned this imposter Penetrator, whoever he is, will get killed by the real Penetrator’s many enemies.
Of course as it plays out, Mark eventually heads to LA, finally leaving the Stronghold (on page 76!) to scope out an Iranian whom he thinks will be the assassin’s next target. Mark will be proven correct, though he’s unable to catch or prevent the killer. Instead, more focus is placed on Mark coming across Marshall Songer during one of his “Penetrator” routines, and then tracking him back to his home and doing like a “scared straight” sort of thing, where he convinces the punk that he is in over his head. This sequence ends with Songer pretty certain that his mysterious visitor, who claims to be a reporter, is likely the real Penetrator. But luckily that’s all there is to this particular time-waster of a subplot.
But man, that’s what The Penetrator has been reduced to by this 40th volume of the series: a guy who sits around and “investigates,” occasionally giving pep talks to wayward youth. And believe it or not, after meeting Songer he goes back to the Stronghold to investigate some more! Finally he figures that famous movie star-slash political activist Jane Marvel will likely be the assassin’s next target. Clearly a spoof of Jane Fonda, Marvel is a hotstuff brunette with “full breasts” (“thirty-nine inches,” we are specifically informed) who, when not making films, is known to get involved in the latest activist stuff. Currently she’s been denouncing various nuclear plants and silos, and folks you better believe that Cunningham wastes pages and pages on Jane protesting at not one but two events, her activist husband Larry Tollison (ie Tom Hayden) in tow. Her third husband, we’re informed, Cunningham slyly setting it up so we won’t be too shocked when Jane makes her inevitable pass at Mark.
Curiously, Jane Fonda herself was mentioned in a previous Cunningham volume: #28: The Skyhigh Betrayers. This means that there is both a real Jane Fonda and a fake Jane Fonda in the world of The Penetrator. Jane Marvel, we’re informed, even watches movies on “the China Syndrome,” an unsubtle reference from Cunningham to Fonda’s real-life film of the same name. Furthering the similarities, Jane Marvel even went to ‘Nam during the war to protest, which ran her afoul of the servicemen there; later in the book, when Mark and Jane meet, the actress asks Mark why he’s trying to help her, given that he served in ‘Nam and thus should hate her guts as a traitor. Mark’s response is that, while he doesn’t agree with most of what Jane preaches, for this one instance they are aligned. Plus he’s a big fan of her movies! Even if she’s “an all-around extremist,” so far as Mark is concerned.
Mark gets into her confidence via goofy means. He scopes out Jane’s mansion, up in the richer area of Beverly Hills, and slips past her elaborate security system. There he rings the house phone and speaks to Jane on it, informing her that he’s waiting for her in the den! Mark manages to convince Jane and her husband that he’s certain an assassin is coming for her, and that he’s here to help. Soon enough he’s shadowing Jane on the studio lot, and prevents her “accidentally” being crushed by a sandbag that falls from the rafters or somesuch. But it’s clear at this point that there will be no action finale for Assassination Factor. Instead, the only time Mark fires his gun in the entire novel is while guarding Jane’s home that night, shooting at Butler’s shadow out in the woods. We get a retread of the very same thing the following night, but this time Mark manages to lure Butler into a trap and knocks him out, ties him up…and then tells Jane to call the cops!
I mean he doesn’t kill the bastard or anything! Nor do we have a big confrontation between Mark and Butler…for that matter, Butler himself at this point is lost in the narrative, just a mysterious figure Mark’s trying to stop. You might imagine him as this buzzcutted humorless super-patriot, but Cunningham does absolutely nothing to bring him to life, nor to let us know what makes him tick. No, Mark just knocks him out, ties him up, and takes off – another assingment complete. And as mentioned he doesn’t even have the expected sleazy shenanigans with busty Jane Marvel; she plants a big kiss on him twice in the book, and at one point bluntly propositions him, but Mark Hardin can’t be bothered with such things. I mean, the lady’s married! The Penetrator has morals, folks!
It’s all just so lame and stupid…you almost wonder if you’re reading a TJ Hooker novelization. Actually that’s an insult to TJ Hooker, plus I don’t think the show was even on the air yet. But you get my drift. Overall this one was very lame, as bad as Cunningham’s previous “worst installment ever,” #22: High Disaster.
On the positive side, the PENENTRATOR series had great cover art by artist George Wilson, who is probably best known for his Gold Key comic book cover art (TUROK, THE PHANTOM, STAR TREK, etc.)
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