Operation Snake (aka Nick Carter: Killmaster #51)

Operation Snake, by Nick Carter

No month stated, 1969  Award Books

“I’d never been on a mission where so much was going on and so little was happening.” 

So narrator Nick Carter tells us midway through this installment of Nick Carter: Killmaster, courtesy Jon Messmann, and folks sadly that for the most part sums up Operation Snake. This one’s nowhere near the crazed pulp majesty of Messmann’s earlier The Sea Trap, despite having a plot that features crazed cults, spiritual transference, and an actual yeti. For the most part, Operation Snake is a slow-moving travelogue set in Nepal, and I suspect “Nick’s” comment is Messmann’s subtle acknowledgement to the reader that the thrills have been few. 

And yes, we’re in the first-person narrative years now, with Nick himself telling us about his mission. I find this conceit hard to believe; I mean when the hell does super-agent Nick Carter have the time to even write these books? At any rate he’s on the job when we meet him, flying into Nepal on his latest caper. One thing the first-person gimmick robs from us is the usual setup of Nick being called into Hawk’s office, being briefed, etc. As is the case here, Messmann just leaves all that to backstory quickly doled out by Nick as he looks through an airplane window. As usual he’d been called out of bed, on vacation and the usual setup, when he got the urgent call from Hawk to get into DC asap for briefing. 

The plot Nick’s trying to stop this time is especially relevant today: the Red Chinese are taking advantage of the porous Nepalese border and sending Commie saboteurs over as “immigrants.” Couldn’t help but think of our own porous border and the countless unvetted immigrants who are literally being bussed into the country by the current administration, many of them with possible terror ties. (Not to mention the ones who have Covid but are dropped off on Texas city streets regardless.) But of course the big difference here is that the Federal government in Nick Carter’s world wants to stop such plots. So Nick is to wing his way over to Nepal, hook up with a local contact, and try to prevent a power-crazed monk from perpetrating the Red Chinese plan. Oh, and there’s also something about a yeti, aka the Abominable Snowman. 

Abruptly upon entering Nepal Nick encounters Hilary Cobb, a hotstuff blonde British reporter with massive breastesses; Messmann, Zod bless him, is sure to mention those big boobs every single time Hilary appears. But Nick resents Hilary’s “masculine” attitude in how she’s such a nosy, bossy pest; our hero is particularly reactionary this time, telling us he hates it when pretty women spoil their prettiness by trying to act like men. And Hilary certainly sets him off, despite her massive gazoongas, which Nick can’t help but oggle. Indeed he makes it a point to leer at ‘em, making Hilary bridle with rage; this entertainingly misogynist stuff is similar, I recall, to how Nick treated the hotstuff marine scientist babe in The Sea Trap. And sure enough, it will only serve to (eventually) turn Hilary on good and proper. 

In fact Nick’s treatment of Hilary is downright brutal in our touch-feely modern #metoo era; not knowing she’s dealing with a badass secret agent, Hilary tries to pull a fast one on Nick, sending him a fake summons so he leaves his hotel room and then slipping inside to steal his precious mountain climbing equipment. When Nick figures out what’s happened he quickly puts her to rights: he slaps her, ties her up, strips her, and of course oggles her boobs the whole time. Hilary is reduced to enraged tears. It’s all quite an uncomfortable sequence given that Nick is the friggin’ hero of the story! But we are to remember this all is occuring in a less sophisticated era, yadda yadda, and besides Nick’s just trying to keep the stubborn girl from following him out into the mountains, as he knows things are about to get very dangerous out there. 

Nick heads into the mountains where he meets his contact, who of course turns out to be another hotstuff babe, this one a petite native named Khaleen. “You’re a very beautiful creature,” Nick later tells her in another display of his brutish skill with the ladies – and of course she likes it. Khaleen’s the daughter of a local notable who stands against Ghotak, the power-mad leader of the Snake Cult. So basically Ghotak claims to speak for the snake god but is really an agent of the Red Chinese, and Nick’s intent here is to act as someone who has travelled quite far to speak against Ghotak and get the natives to rise up against him. So in other words the plot too is from a less sophisticated age, the natives suitably superstitious and gullible, and likely would reduce overly-sensitive modern readers to their own enraged tears. 

This is demonstrated posthaste when Ghotak calls a meeting at the temple that night, and per the ceremony a woman in the audience is chosen to “give” herself to the snake god, to be used by one of the men. All while tribal drumming is going on and a feverish pitch of eroticism is being reached by the onlookers, of course, with the expected orgy ensuing. Ghotak, as a challenge to Nick the interloper, calls on Khaleen for the honor, and she proceeds to storm onto the stage and starts dancing up a sensual storm. This bit is kind of overdone, with Nick trying to tamp down his horniness while protecting Khaleen’s virtue; he ends up storming the stage before any of the men can get to her and whisking her off to safety. However that night Khaleen repays Nick in the time-honored men’s adventure fashion: offering herself to him in his room. This leads to a mostly-inexplicit sequence; surprisingly, Messmann is much more conservative in tone here than he was in The Sea Trap. 

Nick eventually tangles with the yeti in a memorable sequence; after the latest Ghotak challenge he heads into the mountain to fight the monster, which apparently serves Ghotak. Hilary manages to go along with him, and soon enough the two are being chased by the shaggy, hairy creature; Messmann of course has it that Nick doesn’t believe in the yeti even though the natives do. Even sophisticated types like Khaleen and her father, with their fancy British educations, believe the yeti exists. And now here Nick gets first-hand proof, and only manages to fight it off so he and Hilary can escape. 

Stuck in the snowy expanse of the mountains overnight, Nick and Hilary engage in exactly the activities you’d expect. Even here Messmann keeps up the lovably misogynist tone of his hero, again recalling how Nick treated the main female character in The Sea Trap: “Are you going to try to make love to me?” Hillary asks, to which Nick responds: “I’m not going to try. I’m going to do it.” Indeed Nick taunts Hilary that soon enough she’ll be crying out in need for him, and sure enough she soon is. This bout’s a little more explicit than the one with Khaleen, but it soon develops that Messmann’s more concerned with the love triangle itself than he is with hardcore material. For Khaleen has fallen in love with Nick, slightly concerned he’ll soon be sleeping with the big-boobed “pretty” Englishwoman but trusting Nick regardless, and Nick slightly feeling like a heel for betraying her. 

Of course the veteran reader knows where all this is going. First though we have another encounter with the yeti, which turns out to be a human-bear hybrid, the product of a Sherpa woman who “used” a bear, per Ghotak. The mad monk found the creature and raised it, keeping it a bloodthirsty animal for his own ends. A captured Nick is to be chased by the yeti, but for some inexplicable reason Ghotak decides to allow Nick to keep his Luger and stiletto! While the beasts’s hide is too tough for bullets to pierce, Nick soon discovers that the inside of its mouth isn’t resistant to 9mm slugs. But this will be it for the yeti subplot, and I feel Messmann didn’t exploit it as much as he could’ve. 

Much more over the top is the finale, which sees Ghotak raising hell in his temple, complete with a trap door that leads to a room of poisonous snakes. Nick experiences what passes for heartbreak here, as one of the two women gives up her life to save him. Okay, a no-prize to whoever figures out which of the two women it is…the busty British babe who has spent the entire novel fighting Nick before bedding him, or the sultry but innocent native babe who is in love with him? Well anyway, Nick ends up finishing the novel on vacation with the surviving babe, pondering over “the difference between being wanted and being loved…the trick was to keep them apart.” 

This is unexpected depth from a men’s adventure series, but the sort of thing that would become par for the course in Messmann’s work, as demonstrated in The Revenger and Jefferson Boone, Handyman. As it turns out this “relationship” subplot had more of an impact on me than the plot itself, so clearly I need more testosterone in my diet.